Therefore, artists release almost all their songs as singles – there is no need for an exposition, a rising action, or a conclusion it’s a style of instant-gratification and endless climax. Generally, there is no concept, or sense of symbolism occurring within any song – listeners seek a fresh, satisfying drop that will give their brain an intense, emotional reaction. The ideology of trap music is represented within the structure of a trap artist’s oeuvre: all singles. While trap has been mostly confined to the underground, it did spend some time in mainstream pop chart notoriety 2013-2014 saw big Billboard hits in Baauer’s “Harlem Shake”, DJ Snake and Lil Jon’s “Turn Down For What”, and Martin Garrix’s “Animals”. Trap has become the umbrella term for a whole horde of distinct sonic witchcraft – from the glassy, textured synthscapes of Flume to the bass-heavy detonations of Boombox Cartel to the minimalist, industrial fireworks of TroyBoi, trap covers a lot of ground. Trap was in some ways an offshoot of dubstep: still obsessed with bass drops, but less dubby and more variability in structure and tempo – trap feels a lot more mobile, and in that way more thrilling, than dubstep.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |